On My Drawing Board: identity

Friday, February 18, 2011

Step 10, Sarah Emma Edmonds II: Transformation

Today's post is primarily a case of my wanting to add the image and see how it looked to me, presented in a different way. I guess I've been looking at it too long today. Since the theme of the piece is, after all, as its working title suggests - "Transformation" -- it's intentional on my part that the woods on the left looks quite different from the woods on the right. But while I like both sides individually, I'm still completely unclear as to how I want to make the needed transition in the middle of the composition. I guess it's a good thing that I won't be able to work on it again for at least a day or two! Maybe some time away will help me see it in a new light, just as seeing it in this posted, "mini" version might do.

Tuesday, February 15, 2011

Sarah Emma Edmonds II: Transformation, Step 9

I've reached the point where this is starting to get very exciting to work on. It's interesting to me that for so long, the idea that I didn't know every last detail of what I was doing in a given composition was terribly intimidating to me. But now, having a basic plan in mind but staying open to the possibilities, the twists and turns that may present themselves, is what I find really interesting about creating art. I'm still a bit vague about exactly what's going to happen in the middle section of this woods, but occasionally I stop and add color and step back to see if I like the additions. And I'm definitely OK with the "not knowing", for now. I find that phenomenon interesting, and wonder if there's a similarity there to how Sarah Emma may have felt as she worked on her new, untested identity.

What is the "Civil War Chronology Project"?

(formerly called The Civil War 150 Project)

The commemoration of John Brown's raid on Harpers Ferry, Virginia (now West Virginia), which was held in October of 2009, is widely considered to mark the beginning of the Sesquicentennial -- or 150th -- anniversary of the Civil War era. Over the next five years, many states and local communities will be marking the 150th anniversary of battles and important events that occurred in their areas during that era, and state and local commissions are being established to bring attention to those events.

Since I first began developing my series of images inspired by Civil War-era America and its people, my goal has always been to provide a complement to the images of battle scenes and famous generals focused on by most other Civil War artists. My approach has been to get to know these people in their pre-war identities and culture, and try to move through the War era in a chronological fashion, hoping to gain some sense of what they experienced as the War unfolded and engulfed them. My work can essentially be described as homage to life in the midst of war, but it carries a contemporary sensibility in hopes of encouraging viewers to see parallels between their lives and the lives of Americans gone before us.

The Civil War Chronology Project is the title I have given to the ongoing project I have developed for myself, to chronicle the lesser-known people and events of the Civil War era beginning with the publication of Harriet Beecher Stowe's Uncle Tom's Cabin in 1852 and continuing through the assassination of Abraham Lincoln in April of 1865. I currently have created more than twenty pieces which were inspired by the incidents and people in the years leading up to, and then including, the First Battle of Manassas (also known as First Bull Run). To view the works created prior to 2010, please visit my website, http://www.civilwarfineart.com/, and specifically, my Beyond the Battlefield gallery page. Since helping viewers establish a more personal connection with the people of the Civil War era is a primary goal of mine, I welcome feedback from my audience. Thank you for viewing! ~~Amy V. Lindenberger