I've reached the point where this is starting to get very exciting to work on. It's interesting to me that for so long, the idea that I didn't know every last detail of what I was doing in a given composition was terribly intimidating to me. But now, having a basic plan in mind but staying open to the possibilities, the twists and turns that may present themselves, is what I find really interesting about creating art. I'm still a bit vague about exactly what's going to happen in the middle section of this woods, but occasionally I stop and add color and step back to see if I like the additions. And I'm definitely OK with the "not knowing", for now. I find that phenomenon interesting, and wonder if there's a similarity there to how Sarah Emma may have felt as she worked on her new, untested identity.
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