Two Posts in One Day!

These two pieces both relate to my Civilians of Gettysburg series. As we work our way into the 150th anniversary era of Civil War-related events, I want to be fully prepared for Gettysburg's own anniversary in July 2013. To that end I've been working on pieces related to things the local civilians would have seen and experienced during the Confederate invasion and the three-day battle. Since I'm committed to taking these events in chronological order, the things I'm currently working on in this series relate to the days leading up to the battle, as opposed to the battle itself. These two pieces both relate to the June 26, 1863 entry of Jubal Early and his Confederate troops into the borough of Gettysburg. The first is entitled "The Lesson" and relates the experiences of a local girl, Nellie Aughinbagh, and her near close-encounter with Confederate troops, due to her insistence on finishing a bonnet she was working on with her instructor, Mrs. Martin, in the Martins' Middle Street home. The second features the cupola of Christ Lutheran Church on Chambersburg Street. When the Confederates entered the town on June 26, one of their objectives was to round up all of the African Americans they saw and attempt to send them into slavery in the South. Naturally, the black population of Gettysburg had been taking measures to evacuate before this could happen, but there is a story which involves a woman known only as "Liz" who didn't quite manage to escape in time, and sought refuge in the church cupola until it was safe to come down.

Tomorrow I'll post the image I've recently completed of Jubal Early himself, the leader responsible for this particular upheaval.

Long Time, No Post!

Despite the fact that I haven't been posting, I have been working -- diligently! Other than research and rough sketches, I'll confess that I haven't done much with my next "Sarah" piece. But I've been working on many other pieces while I'm manning my Civil War Fine Art Gallery in Gettysburg, PA.

In mid- to late-June, I participated in The Gettysburg Fringe Festival in multiple ways. First, I hosted several receptions at my gallery for visitors as part of History Meets the Arts June 18 - 20. Also, I participated with the En Plein Air painters group again this year, completing a variety of works, including those shown above, top to bottom: "The Angle" and the Codori Farm, Round Barn Cupola, and Henry Culp Farm. These pieces are all fairly small, approximately 8" x 10", and were done using Derwent Inktense watersoluble pencils.

The next two posts will show other work I've completed in the past two months.

Final, Frederick Douglass

It's hard to believe that nearly a month has passed since I last posted. I guess there's been a lot going on: The Civil War Collectors Show in Mansfield, OH, then back-to-back Saturdays of teaching a class on colored pencil techniques for the Botanical Art and Illustration program at Phipps Conservatory in Pittsburgh, followed by a workshop on paper and other surfaces for use with colored pencil in North Canton, OH and finally a one-Saturday class for a drawing group in Sewickley, PA about using solvents with colored pencil. A lot of teaching can add up to not much time for creating! But the teaching has been a very enriching experience so I don't believe I'll stop teaching anytime soon.

I was pleased to learn that a colored pencil drawing from my Gettysburg Today series -- entitled Ever-Vigilant -- was accepted into the Adams County Arts Council's 7th Annual Juried Exhibition, which will be on display at Schmucker Art Gallery on the campus of Gettysburg College, June 18 - 27. (To view the drawing now, please visit www.CivilWarFineArt.com/GettysburgToday.htm. )

Next Friday, May 28, marks the opening of my seventh season in Gettysburg at my gallery, Civil War Fine Art, located at 333 Baltimore St. I'm anxious to get back into the gallery and hope to see you there!

Next month, from June 18 - 27, I'll be participating in the Gettysburg Fringe Festival with the Debut of my Civil War 150 Project (see sidebar for explanation). I'll also be involved with the Plein Air Paint Out during the Festival, along with many of my friends from the Daily Painters of Pennsylvania blog (www.dailypaintersofpennsylvania.blogspot.com). The Festival is a wonderful cultural event; I strongly encourage you to take a look at all it has to offer at www.gettysburgfestival.org.

As you can see above, I've finished my 24" x 24" colored pencil painting of Frederick Douglass. I am now working toward having limited edition reproductions made. I'm pleased with how this piece turned out; I like the looseness and energy of the strokes, the range of color, and the expression of the eyes. So now it looks like I'd better get back to considering the next edition of "Sarah".

Step Six, Frederick Douglass

I've had a few other distractions so I hadn't worked on this in about two weeks, but was able to get back to it earlier today. I believe I'm pretty close to being done with this, but I'm still not happy with the hair. I believe it needs more texture, primarily in the area from the upper left highlight over towards the right side. I'm also feeling that his left cheek (to our right) may be too "sunken" - I'll need to examine the photo reference better. I'll be attending the Ohio Civil War Collectors Show in Mansfield, OH this weekend, so between displaying it there, and here online, I'll get a better chance to study it more objectively. My primary concern is over-working and over "refining" it -- my tendency towards too much detail and nitpicking -- so I want to make sure I stop before that happens.

Step 5, Frederick Douglass

This portrait is moving along pretty quickly, since I've been working on it almost exclusively, rather than shifting back and forth from one piece to another. Now I just want to be careful to give it the time it needs, and not rush it in my enthusiasm to finish it. Still working only with the Artstix, though I did use a bit of odorless Turpenoid to blend some of the colors in the hair. I really don't intend to use the finer point pencils on this portrait at all. The hair looks too solid to me, particularly from his right temple upward and extending over to his left cheekbone, so I'll need to address that. I do like the way he's filling the space and the larger-than-lifesize scale adds drama to the expression.

Step 4, Frederick Douglass

Starting to get into some detail now, and this is where I want to be VERY careful: I like the intensity of the expression and the looseness of technique, and I don't want to dilute the effect by over-detailing the portrait. So far I've only added detail using the Artstix: Tuscan Red, Terra Cotta, Dark Umber, Black, Indigo Blue, Dark Green, Peach and Ultramarine. Right now I'm thinking I may not get into using any regular colored pencil at all. I also have lifted out some areas with a battery-powered eraser -- the Gessobord takes this type of eraser very effectively.

Step 3, Frederick Douglass

I'm using two entirely different "wet" techniques with the colored pencil for this painting. The background is done using the Derwent Inktense pencils, applied in a wash and allowed to run. The figure is done using a Tuscan Red Prismacolor Artstix, which contains wax, so even though the watercolor wash was applied in the background and allowed to drip, the area done with the wax-based pencils resists the wash, so it doesn't stick to the face. I've reddened the background somewhat with this wash layer. Also, the tones on the face and hair have been blended a bit using odorless Turpenoid, which has served to fill them in and intensify their color.